Their process reminds me of what the late author, novelist, and journalist Ernest Hemingway believed about omitting: You can omit anything if, as the artist, you know that the omitted part will strengthen the story and make people feel something more than they understood. Some might say it’s twisted for the creators to seed a section of such a realistic film without giving a proper explanation. Copies of the DVD were created, multiplied, sold as bootlegs, and after a few months, we started hearing urban legends surrounding the footage.” After dropping the DVDs off at a flea market in Atlanta, we let it simmer and marinate. ![]() They didn’t know that Curtis survived the gunshot and that this shocking video was actually part of a larger film. Most people who watched this sliver of the film thought it was a hood snuff tape. ![]() It was raw-a small segment of the film that followed Curtis as he ambushed rivals and, at the end, took a bullet. “After our film was complete, we burned 3,000 copies of the first 30 minutes to blank DVD’s. How Snow on tha Bluff purposely blurred the lines between reality and fiction, intending to obscure how we’d view the film, is further explained in the third paragraph: online 1 0 of em goons, Share this on Twitter Share this on Facebook. ![]() “The most controversial element of our film is that some of the footage is real while other scenes are staged,” Knittel writes in the opening paragraph.
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